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About the Artist
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Discography: Album
Discography: EP
Discography: Single
Filmography (Film & Television)
Personnel
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Videography
Polar Blair's Thoughts on the Artist
About the
Artist: The Doors are noted as being one of the most
over-released artists
of all time along with so many of their other contemporaries such as
Jimi Hendrix and Janis Joplin. MORE COMING!
Polar Blair's Thoughts on the
Artist: This group
is the essence of 1960s cool. What you see is what you get.
They didn't have gimmicks and they didn't try to water down their act
to make themselves "wholesome" and "marketable" for corporate
America. They didn't have dolls made of themselves or make a
corny movie. Almost all the songs that appeared on their records
were those that they wrote themselves, and Jim Morrison came out
singing like a lion! Some of their lyrics were straight out
there, and some of them were real obscure poetry, but it was all
about the music. And it was the music that sold The Doors, as
well as the look of Jim Morrison and his "f*** you and yours!"
defiance. They were the perfect thing us "good guys" needed at a
time in American history when it was dangerous to be young.
Personnel:
John Densmore- drums.
Robby Kreiger- guitar.
Ray Manzarak- keyboards.
Jim Morrison- lead vocals.
Discography: Album:
The
Doors (1967)- If you want an album that's "basic Doors" or "Doors
for beginners" this
is the one to get. It paints a picture of what the band was
really all about. They would later go on to do different and even
better music, but this is the template. A must-have.
Songs:
- "Break on
Through (to the Other Side)" -- This is still one of my
very favorite Doors songs. It's super-popular and so common, but
I still love it. When something's good, it's good forever.
- "Soul Kitchen"
-- Another
great Doors song.
- "The Crystal
Ship" -- I'm
just not into this
song. Too much of a downer.
- "Twentieth
Century Fox" -- I
love this song.
It's along the same lines of their later hit "Hello, I Love You".
It should be more popular than it is. Very commercially appealing
I'd think. But you rarely see it on compilations.
- "Alabama Song
(Whisky Bar)" -- The title's cool. But
nothing musically really grabs you.
- "Light my Fire"
-- Another one
of their
super-popular hits that I still really love. It has a very broad
appeal.
- "Back Door Man"
-- Yeah,
baby! This is
probably my favorite song on the whole LP. It really digs and
pulls you in.
- "I Looked at
You" -- This
is a happy psychedelic
tune. I really enjoy it. It's different for a Doors tune
and purely listenable. This could've done well as a single, too,
were it given a chance.
- "End of the
Night" -- This
song sounds a lot like
their later song "When the Music's Over". Between the two, "When the
Music's Over" is better because it's much longer and the arrangement is
more elaborate, but this would be great to attach to the beginning of
said song and make it an extended version. I wonder if they ever
played these two songs together at any concert? If you know,
please CONTACT
ME.
- "Take it as it
Comes" -- Another
great Doors song.
- "The End" -- This is a cool song.
Especially for the fact that it's
long. And I do like it a lot. But I can't listen to it all
the time like I can most of their other songs. It can be kind of
depressing if you're not ready for it.
Strange Days (1967)
Waiting for the Sun (1968)-
A so-so album. You've got to love it for its parts. This was the
band's first #1 album. It surprises me, because a lot of it is
hard to digest; too much nervous-sounding stuff. In addition to
that, the vast majority of these songs are not well known to a lot of
people. "Hello, I Love You" is a huge hit, and deservedly
so. "Love Street" is another fairly popular song, although not
one of their most famous. "The Unknown Soldier" is a hit among
serious Doors fans like myself, but not a song you commonly hear on
radio. All the others are not very common in compilations.
Songs:
- "Hello, I Love
You" -- This
song is played heavily
on radio even today, but I still love it. It's still one of my
favorite Doors songs.
- "Love Street" --
This
song? S'okay. It's good, but not one of my
top favorites. And it's been on so many different "best of"
compilations and things.
- "Not to Touch
the Earth"
- "Summer's Almost
Gone" -- This
is a good song, but
too somber to listen to all the time.
- "Wintertime Love"
- "The Unknown
Soldier" -- I
like this song a
lot. Especially for a protest song. It really puts things
in perspective; what war does to people.
- "Spanish Caravan"
- "My Wild Love"
-- I like this
song quite a
bit. It's one of my favorites. Certainly interesting, and
different from other Doors songs. For better or worse, I love the
Doors constant experimentation.
- "We Could be so
Good Together" -- This is just a great song!
- "Yes, the River
Knows" -- I
feel about this the same
way I do "Summer's Almost Gone".
- "Five to One" --
My favorite
on the album! It sounds a bit like their
later hit "Wild Child".
The Soft Parade (1969)- I LOVE THIS
ALBUM!!! It's outstanding. Amazingly enough, "Touch Me" is
the most famous song from this album, and that one stinks. Most
all other tracks are probably the best work that the band ever
did. I hope I don't sound harsh about the "Touch Me" song.
Robbie Krieger wrote that one, and I really dig him and respect him as
a guitarist/songwriter, but that one was not my cup of tea and frankly
not a Doors-type song.
When this album came out, the band got a bit of heat
from critics and some fans for adding brass and strings. This was
new for the Doors at this point. Up until this time they were
just a small combo. Now I'd be upset, too, if the brass and
strings changed the whole scope of their music. But it
didn't. It was just seasoning. The songs on this
album are still Doors songs. I've always liked it that they
experimented and tried out new things.
Songs:
- "Tell All The People" -- I
really love
this song. It's a happy song and starts the album out on a
positive note. Very easy to take.
- "Touch Me" -- Yowch!
- "Shaman's Blues" -- This is
a great
song, too. Typical Doors music. No real surprises.
- "Do It" -- This album is
noted for
having a lot of the happier-sounding material, which was rare for the
Doors. This is a great feel-good song, but still very much a
Doors tune.
- "Easy Ride" -- They got a
bit of that
hillbilly thang goin' on here. It's fun. Wish they would
have done a lot more songs like this.
- "Wild Child" -- This song
rocks!
It's fairly well-known among serious Doors fans and one of my
top-favorite Doors tunes. As a matter of fact, all the good ones
on this album could be top-favorites.
- "Runnin' Blue" -- Another
hillbilly
thang, but in a moodier Doors vein.
- "Wishful Sinful" -- I'm
sorry, I guess
I just don't like this one. You see this on a lot of
compilations and it's just over-rated.
- "The Soft
Parade" -- The first 3 minutes of this 9 minute song stink.
But after the initial junk, it really gets into something cool!
It's an album highlight and a great way to close it. I love the
conga as played by Reinol Andino. It adds a lot and he's quite
good at it.
Morrison Hotel (1970)
Absolutely Live (1970)
[live album]
L.A. Woman (1971)- This is one of
my favorite Doors albums. The last with Jim Morrison.
Other Voices (1971)
Full Circle (1972)
An American Prayer (1978)
[Jim Morrison spoken poetry recordings with new Doors music provided as
background]
Alive, She Cried (1983)- Jim
Morrison era live recordings. A really great album. Worth
purchasing. This is really
just a continuation of what The Doors were doing with "Absolutely Live"
in 1970. They wanted to create a "perfect" Doors concert on
vinyl. This means that they occasionally spliced separate
performances of the same song together from different concerts.
In 1991, both of these live albums were released together as "In
Concert" which also included three other live tracks. I really
love the choice of material on this album. A few songs are done
that everyone is familiar with, but the other tunes are lesser-known
Doors songs. And if you're like me, you WANT to hear the stuff
that you don't know as well. This is an awesome live album.
Get this by any means necessary!
Songs:
- "Gloria" -- This
is a long and very
raunchy version of the mainstream hit penned by Van Morrison and made
popular by The Shadows of Knight. Jim's humorous take on the
lyrics and the extended groove really make this an honorable cover
version. I love it.
- "Light My Fire"
-- I LOVE THIS
ONE! I like this one even better than the studio version.
It's ten minutes long, for one thing, but it's just great music like
the one you know, but with more added.
- "You Make Me
Real" -- This is a great
song. A lighter song.
- "Texas Radio
& the Big Beat" -- What
the h*** is this about? Why would they put this on an album like
it is? It's nothing like the L.A. Woman studio version, which I
really love. It's much, much slower, and just a little
minute-plus snippet. It's kind of throw-away, as much as I hate
to say it.
- "Love me Two
Times" -- Just an
incredible live version of the Doors classic!
- "Little Red
Rooster" -- This is
easily the best version I've ever heard of "Little Red Rooster".
Really knocks me out! John Sebastian on harmonica, and he's great
at it. Robby Krieger really digs into that guitar. And
Jim's voice is just perfect for this song.
- "Moonlight Drive
(Including Horse Latitudes)"
-- This is another one of those songs that's better than the
studio version. It's longer and has more interesting music in
it. The tune "Horse Latitudes" is worked into this song in the
form of a spoken poem by Jim Morrison.
Live at the Hollywood Bowl (1987)
[Jim Morrison era live recordings]
In Concert (1991)
[this live album included all tracks from "Absolutely Live" and "Alive,
She Cried" with three additional tracks: one from "Live at the
Hollywood Bowl", one from "An American Prayer", and one previously
unreleased.]
Live in Detroit (2001)
[Jim Morrison era live recordings]
Live in Hollywood (2002)
[Jim Morrison era live recordings]
Discography: EP:
Discography: Single:
Filmography (Film & Television):
Photos:

Videography: