Ghost
Town
(1988):
This is a rather interesting movie because it
successfully blends three genres: horror, western, and
action. It's a cross between a cowboy movie and a ghost
movie. The filming is quite good and usually outside.
"Ghost Town" is set in modern-day and basically follows the adventures
of a deputy sheriff who, while lost in the desert looking for a missing
woman, is led to a dusty Old West town like no other ever seen.
For over 100 years, the evil ghost of an outlaw in black has kept the
inhabitants of this town in purgatory. We find out the missing
woman was kidnapped by the bandit because she is an exact double of a
beautiful, but long dead saloon singer who the bandit killed
himself. The only way for the modern-day deputy sheriff to save
the girl and end the suffering of the townspeople is to kill the outlaw
named Devlin. This movie was rated R, but could actually pass as
PG-13. There's a lot of shooting, but nothing really grotesque
except the ugly-looking decomposing ghosts and such. There isn't
even a whole lot of swearing. And there is no nudity (although
sex is insinuated).
If you're looking for character
development or intricate plot turns you won't find it in "Ghost
Town". This movie is straight action with horror and western
themes. It's basically the hero going into a trouble spot and
saving the day with a lot of action and scary moments thrown in for
good measure. The special effects are pretty good and the acting
is solid enough, but the movie itself doesn't really call for much
acting. It's just action with a gruesome theme and cast of
strange characters. One strange character worth mention is a
blind card player simply called "The Dealer" who is played by Bruce
Glover. I'm a Bruce Glover fan since I first saw him play the
creepy Mr. Wint character in the James Bond movie "Diamonds are
Forever" (1971).
Franc Luz plays Deputy Sheriff
Langley. Catherine Hickland plays the kidnapped woman Kate.
Jimmie F. Skaggs is the ghost outlaw Devlin. Laura Schaefer plays the beautiful
ghost girl Etta. This is a film worth watching. It's
entertaining, and doesn't count on a lot of thinking to
understand. A wild diversion!
Halloween
(1978): A horror movie from the 70s with a complete
lack of gore. Unusual. This is not to say that it isn't
suspenseful or violent. By itself, this movie does not make a
whole lot of sense. It isn't until "Halloween II" and especially
the later movies that things about Michael Myers and his connection to
Laurie Strode are explained more. The filmmakers left us hanging
for three years until they threw us dogs a bone. Despite that, it
still comes off as an intelligent, well-produced film. You can
tell it wasn't made by hacks. Back in the 1970s, this was about
as good as thrillers got. You've got to take it for what it is.
"Halloween" and its sequels are crime stories more
than horror stories. The horror element is the fact that serial
killer Michael Myers is ambiguously supernatural. Apparently,
nothing can kill this guy. The movies are otherwise
realistic. Michael has the ability to speak, but for some reason
hasn't since he killed his first victim, older sister Judith Myers,
when he was 6. There is no reason given in this movie for the
killing of his sister. After that, he is locked up in a mental
institution where he stayed for 15 years until he escaped on October
30, 1978.
By October 31, 1978 Michael Myers is on a killing
spree. He comes to the town of Haddonfield, Illinois where he
killed sister Judith back in 1963. Why? Reason not
given. See Halloween II for explanation. Michael is seeking
teenage girls to kill, although he is not above killing two guys and a
dog in the process. He picks off Laurie Strode's two best girl
friends, but fails in killing her.
Michael's fate in this movie? He is shot by
Dr. Sam Loomis and falls to the ground through a second-story
window. However, in less than a minute's time, Michael
disappears. Obviously he is not dead. The movie ends,
leaving a lot of us ticked off. This is strange, because it's
like the movie was unfinished. They got in the middle of the
story then cut us off. What's up with that? Apparently they
knew what they were going to do with it after this. Why be so
abrupt?
Like all Halloween movies, it's good except for the
fact that it drags a bit when they're trying to build suspense.
It's a 90+ minute movie; could've been 60. Halloween I and II
should've been put together in one film. Cut out the boring stuff
and splice it together, it would've made one complete film about 2
hours long.
This is a good film, well-written and
well-acted. A horror film with an actual story; an unusual
practice in the genre. On top of that, we're given characters
that we actually care about and don't want to see get killed.
Loomis and Strode we want to see live and they do. As much time
is focused on their characters, they better. Strangely, Donald
Pleasance is given top-billing. He IS an important character and
a hero in this movie, but the film definitely follows and builds on the
Laurie Strode character of Jamie Lee Curtis. We see her more than
him. Now in "Halloween II," Donald Pleasance is unquestionably
the star, as Curtis' character is out of action for most of the
movie. Watch "Halloween" I and II together, it's like one movie.
Halloween
II (1981):
The Halloween movies are unusual for horror movies. For one
thing, there is a lot more realism. There are no dream worlds or
weird fantasy crap. It's not like having a bad acid trip.
Everything that happens happens in the real world. Michael Myers
is a serial killer who just happens to be a bit stranger than
most. For one thing, he has superhuman strength and regenerative
properties. Bullets don't seem to kill him. Neither does
falling. As the movies progress, we find that more and more
things do not kill him. We start wondering what exactly WILL kill
the bast***.
The only real bad thing about the Halloween movies
is that they like to build up suspense for so long that it tends to get
boring. "JUST KILL SOMEONE ALREADY!" you'll find yourself
saying. Another surprise with these movies is that the actual
killings are never shown as violent as what they elude to in the
suspense-building scenes.
The saga of "Halloween" is intelligent. It's
really nothing more than a crime story with an extremely bizarre
killer. That's it. No gross monsters or anything like
that. It's just that Michael Myers is such a bad guy in looks and
actions that he's referred to as a "movie monster."
This movie picks up EXACTLY where Halloween I left
off. Not a year or a day later; RIGHT where it leaves off.
Laurie Strode is taken to the hospital immediately after her ordeal
with the killer. Apparently his fall in the last movie did not
kill him (nor the bullets) as he is up and running around. Laurie
does not yet know that Michael Myers is her brother, and that his
desire is to kill all his relatives. Meanwhile, Dr. Sam Loomis
and the cops are looking all over the city for the escaped mental
patient. Little do they know that he is at the hospital, picking
off people one at a time.
We barely see Jamie Lee Curtis' character in this
movie. Most of the time we do see her, she is so completely out
of it that she doesn't have any real lines. She just doesn't do
anything but scream a little and run around. Not exactly a real
stretch of acting talent. She's had much better roles in her
other Halloween films and other films in general.
The absolute main player of the whole picture is
Donald Pleasance as Dr. Sam Loomis. Now he's just darn
good. Definitely the hero, and a bit stressed because no one
wants to believe him or cooperate with him. He's the one who puts
the pieces together of the case and all the action seems to follow
him. And ultimately, he is the one who "kills" Michael Myers.
By the way, Michael's fate in this movie is that he
is shot in the eyes and lit completely on fire.
Hellraiser
(1987): This is some overly violent, freak
stuff. Surprisingly, however, it's a very good story. The
overall concept intrigues, although there are some plot holes big
enough to drive a truck through. Especially with the box.
The box is so important to the story, but it's basically used as a
prop. At the end, our heroine Kristie is blasting demons back
into Hell with the box, shifting the puzzle-like object in all kinds of
ways and pointing it at the creatures. How does she even know to
shift it around and aim it? But that's just a small matter.
This movie is really more of a visual than it is a deep thinker.
And that's good. I wouldn't want an excuse to take such an
intensely terrifying movie too seriously. After all, it's
escapism.
Andrew Robinson is good in this movie. You
might know him best for his role as Scorpio, the villain in "Dirty
Harry." For most of the movie he plays good guy Larry
Cotton. Near the end, his brother Frank kills him, steals his
skin, and assumes the disguise of Larry. I really hated to see
that happen. I liked Larry and wish he could've lived. You
don't see Mr. Robinson in too many roles where he plays a completely
likeable good guy.
The rest of the cast is good, too. My biggest
gripe is that Clare Higgins, as Larry's unfaithful wife Julia, is too
darned serious ALL the time. Even before she meets the Frank
monster she acts like she has a stick up her fanny. For crying
out loud, she could've loosened up every once in awhile. But a
lot of that might have been out of her hands. Acting wise, she
was very convincing. Her character WILL get on your nerves,
though.
The character for which this movie is most famous is
actually just a bit player in this film. The lead Cenobite as he
is known in this picture was NOT known as "Pinhead." That was
what he was referred to AFTER this first Hellraiser movie came
out. He is simply referred to as "Lead Cenobite" here.
Larry Cotton and his b**** wife Julia (with an
English accent) move into his old house. It has not been lived in
for almost ten years since Larry's first wife died. Larry's
delinquent brother Frank was allowed to stay in it which he did from
time to time. Larry never knew where Frank was or what he was up
to; just some criminal mischief.
An undetermined amount of time before this, Frank
bought a mysterious box, an occult object, from an old Chinese
man. Taking it back to the house, he tampers with it which proves
to be fatal. Frank is killed in no uncertain terms.
Everything in the room is cleaned out by his killers, so no one would
ever know what happened. Meanwhile, his soul is being tortured in
some kind of evil place (we assume Hell) by a group of evil demons
called Cenobites.
Flash back even further in time. It's revealed
to us that Julia, shortly before her wedding to Larry, had an affair
with Frank. So she actually loves him more than Larry, but
doesn't know where he is either for all this time.
While in the process of moving, Larry cuts his hand
deeply on a nail. Blood spills in the room of Frank's
death. The blood is absorbed into the floor where it resurrects
Frank, somewhat. His body is partially regenerated, but needs the
blood and flesh of other people to become whole again. Frank
recruits his old flame Julia into bringing him more people. Julia
uses her trampy ways to lure men into the room. She kills them
with a hammer, and Frank does the rest. More and more he becomes
whole. His last victim is his own brother Larry. Frank
steals Larry's skin and assumes his identity.
To avoid too complicated a summary (watch the
movie!) let me just say that Larry's daughter Kristie knows what's
up. However, she reluctantly makes a deal with the Cenobites to
lead them to Hell fugitive Frank or her own soul would be taken in his
place. Pinhead and the other Cenobites kill Frank (again), but
afterwards they STILL want to take Kristie. The girl, freaked out
of her wits, uses the magic box to zap those guys back to Hell.
All in all, everyone dies except Kristie and her boyfriend.
After the house burns up and the box is thrown in
with it, a weird derelict who has been pestering Kristie throughout the
whole movie retrieves the box, catching himself on fire! The hobo
turns into a demonic dragon who flies away with the box. At the
movie's closing, we see the box being sold by the old Chinese man to
another guy. So it starts again!
Obviously, this movie is Rated R. Watch it
only if you're not greatly squeamish with violence. It was
actually toned down a bit in most scenes, but it's grossest where it
matters. Be warned. Definitely not one for the kiddies.
Immortal
Sins (1992): This is a smaller-budget, independent
film, but much better than a lot of mainstream horror films made around
the time or even today. The filmmakers didn't try to exceed their
bounds or tell a story that the budget couldn't allow. This was
tastefully well done, but better than anything else was the cast.
Cliff De Young, Maryam D'abo, Shari Shattuck...any one of these could
have been the top-billed star because their characters were all equally
important to the story. But Shari Shattuck definitely has the
most interesting character in witch Diana, who preys upon Michael De
Alvarez to fuel her centuries-long vendetta against the family
bloodline. The villain she plays is so interesting, that I've
given her her very own section in my Film
Fatales: Blair's Bad Girls department. Check it
out! Also worth mention is Tony Isbert who plays Gustavo, a
friend to the family. He's a likable guy. I'm glad nothing
bad happens to him. This movie was originally released in Spain
as "Besos en la oscuridad". In the United States it's also known
as "Veil of Dreams" (video title) and "Vengeance with a Kiss" (TV
title). By any title, I urge you to see it if you're up for a
deliciously sexy and scary thriller.
Tormented
(1960): This horror movie
was
released in 1960. It is a lower-budget movie filmed in
black-and-white. The story is actually pretty good, but the
production values are somewhat limited. Special effects were
crude back then, and whenever used were expensive. "Tormented"
isn't necessarily filled with any real complicated special
effects...just camera tricks for "ghostly images". I do like the
fact that, whenever possible, they used a lot of outside filming of the
beach with the lighthouse. It opens things up quite a bit; makes
this story look more like an adventure. This movie would've been
even better had it been filmed in color.
The acting of the overall
cast is good;
nothing real bad, but
nothing really outstanding. It's not meant to be a serious
thinker. Richard Carlson, the lead, gives a
pretty good performance as a haunted man whose perfect life is falling
apart. The lovely female ghost is played by Juli Reding and man
has she got a figure! At this point in her career her
measurements were 40-23-35. Holy moley! She's also gives a
pretty good performance as the obsessed one-time lover and ghost.
I also liked Susan
Gordon who played the little girl Sandy Hubbard. She was
cute. Joe Turkel as Nick the blackmailer was good because his
character was such a jive-talking creep.
Tom Stewart (Richard
Carlson) is a successful
jazz pianist staying on an island community off of New England,
preparing to marry the woman he loves, Meg Hubbard. Meg happens
to be the socialite daughter of wealthy parents. That's not why
Tom's marrying her, but it makes the story colorful. In other
words, his life is going to be perfect. That is, until, singer Vi
Mason (Juli Reding) comes to the island in secret and meets with Tom in
a rundown lighthouse. At one time Tom and Vi were lovers.
Tom dumped Vi for Meg. Vi is jealous. She threatens Tom
that if he doesn't choose her over Meg, she will make his life a living
hell. How? Vi kept a letter that Tom wrote. She also
threatens to use legal action against him.
Quite by accident, Vi leans
up against the
lighthouse railing which breaks. She's hanging off the railing,
reaching for Tom who is about to save her, but pulls back his hand at
the last moment. Vi falls to her death on the rocks below and
drifts out to sea. That ISN'T the last we see of her,
however. Tom feels guilty, but he thinks it's the perfect
secret. No one knew she was coming out there or that she had
arrived except Tom. But strange things happen after Vi's death
that drives Tom closer to insanity with each passing day. At
first he finds her body, brings it to shore, only for it to turn into
seaweed. Then he finds her watch with name on it. He later
throws the watch back into the ocean, only for it to reappear in his
room once again. Vi Mason's record plays itself when he's playing
piano. He takes the record off the player, sets it on a table,
and only a few seconds later it's on the player...playing again!
Vi's ghost does everything possible to ruin Tom's wedding. She
steals Meg's ring, ruins Meg's wedding gown with seaweed, and much
more. Throughout the movie you'll see visions of Vi's hand moving
around, dismembered head, transparent visions, all sorts of weird stuff.
We feel sorry for Tom for a
long time.
His fiance feels distant from him, his fiance's sister (who has a crush
on him) can't hold his attention, his soon-to-be in-laws think he's
nuts, and just about everybody in the community can tell he's acting
screwy. Vi was an evil person and she deserved to die, but Tom
DID pretty much send her to her death when he didn't try to save
her. Then a young guy by the name of Nick shows up to the
island. He's the boat captain who brought Vi to this
island. At first he comes for the money she owed him. Then
Nick stays on the island long enough to learn that Tom Stewart is
marrying a wealthy man's daughter. He figures that Tom probably
killed Vi, and blackmails Tom for $5,000. Either he gets his
money or he spills the beans to Meg and her family. Tom, being
pushed even more toward insanity by Vi's ghost, takes Nick to the
lighthouse where he kills the blackmailer with a piece of pipe to the
skull. Unfortunately for Tom, his fiance's little sister Sandy
(who HAD a crush on him) witnessed the whole thing from a hiding
spot. Sandy's upset and tries to keep everything secret from her
family and Tom. Eventually, Sandy follows Tom to the lighthouse
where she confesses. Tom confesses too, and although he doesn't
want to is strongly incensed to kill the little girl for knowing his
secret. This was his friend throughout the movie, and he's going
to kill her? What a freak! Fortunately for Sandy, Vi's
ghost rushes toward Tom. Tom falls off the lighthouse to the
rocks below.
Later, the townspeople
retrieve Tom's body
along with Vi's. Vi had been in the ocean a week and was brought
out first. Sandy (Tom's little friend) and her big sister Meg
look over his dead body. What's even more disturbing to them is
the fact that Meg's wedding ring is on Vi's finger (How did that get
there?) and as soon as Tom's body was laid down, Vi's arm somehow
wrapped around his chest with a smile on her face. She got him in
the end! Weird!
For being made in 1960, one
of America's
"innocent" years, this movie can be incredibly disturbing
sometimes. Tom is basically a good guy. He just gets
continually punished. Everything in his life falls apart.
Vi was a b-word when she was alive, and still is after she's
dead! What really bothered me is when the little girl lost her
respect for Tom and later sees him dead. I wish that didn't have
to be, but it did make for one scary movie! Interesting enough,
singer Margie Rayburn who had a popular hit song of her own with "I'm
Available" in 1957, sang the song "Tormented" which was supposed to be
Vi Mason's record. The song sounds good enough, but we never get
to hear the whole thing in the movie. I'm a Margie Rayburn fan so
I thought that tidbit of information was neat to put in here. All
in all, this is an exciting ghost story that could be remade and done
even better today with advanced special effects.