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The Freakiest Movies to See

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The Freakiest Movies to See:  Some people don't understand that it's not violence which makes a really good horror movie.  Gore is scary, but horror is more a psychological thing.  I usually shy away from horror movies for the fact that most of them are more gross than good.  However, there are a handful worth viewing, as you will see listed here.  MORE WILL COME SO KEEP CHECKING BACK!

Ghost Town (1988)
Halloween (1978)
Halloween II (1981)
Hellraiser (1987)
Immortal Sins (1992)
Tormented (1960)

Ghost Town (1988):  This is a rather interesting movie because it successfully blends three genres:  horror, western, and action.  It's a cross between a cowboy movie and a ghost movie.  The filming is quite good and usually outside.  "Ghost Town" is set in modern-day and basically follows the adventures of a deputy sheriff who, while lost in the desert looking for a missing woman, is led to a dusty Old West town like no other ever seen.  For over 100 years, the evil ghost of an outlaw in black has kept the inhabitants of this town in purgatory.  We find out the missing woman was kidnapped by the bandit because she is an exact double of a beautiful, but long dead saloon singer who the bandit killed himself.  The only way for the modern-day deputy sheriff to save the girl and end the suffering of the townspeople is to kill the outlaw named Devlin.  This movie was rated R, but could actually pass as PG-13.  There's a lot of shooting, but nothing really grotesque except the ugly-looking decomposing ghosts and such.  There isn't even a whole lot of swearing.  And there is no nudity (although sex is insinuated).

    If you're looking for character development or intricate plot turns you won't find it in "Ghost Town".  This movie is straight action with horror and western themes.  It's basically the hero going into a trouble spot and saving the day with a lot of action and scary moments thrown in for good measure.  The special effects are pretty good and the acting is solid enough, but the movie itself doesn't really call for much acting.  It's just action with a gruesome theme and cast of strange characters.  One strange character worth mention is a blind card player simply called "The Dealer" who is played by Bruce Glover.  I'm a Bruce Glover fan since I first saw him play the creepy Mr. Wint character in the James Bond movie "Diamonds are Forever" (1971).

    Franc Luz plays Deputy Sheriff Langley.  Catherine Hickland plays the kidnapped woman Kate.  Jimmie F. Skaggs is the ghost outlaw Devlin.  Laura Schaefer plays the beautiful ghost girl Etta.  This is a film worth watching.  It's entertaining, and doesn't count on a lot of thinking to understand.  A wild diversion!

Halloween (1978):  A horror movie from the 70s with a complete lack of gore.  Unusual.  This is not to say that it isn't suspenseful or violent.  By itself, this movie does not make a whole lot of sense.  It isn't until "Halloween II" and especially the later movies that things about Michael Myers and his connection to Laurie Strode are explained more.  The filmmakers left us hanging for three years until they threw us dogs a bone.  Despite that, it still comes off as an intelligent, well-produced film.  You can tell it wasn't made by hacks.  Back in the 1970s, this was about as good as thrillers got.  You've got to take it for what it is.

    "Halloween" and its sequels are crime stories more than horror stories.  The horror element is the fact that serial killer Michael Myers is ambiguously supernatural.  Apparently, nothing can kill this guy.  The movies are otherwise realistic.  Michael has the ability to speak, but for some reason hasn't since he killed his first victim, older sister Judith Myers, when he was 6.  There is no reason given in this movie for the killing of his sister.  After that, he is locked up in a mental institution where he stayed for 15 years until he escaped on October 30, 1978.

    By October 31, 1978 Michael Myers is on a killing spree.  He comes to the town of Haddonfield, Illinois where he killed sister Judith back in 1963.  Why?  Reason not given.  See Halloween II for explanation.  Michael is seeking teenage girls to kill, although he is not above killing two guys and a dog in the process.  He picks off Laurie Strode's two best girl friends, but fails in killing her.

    Michael's fate in this movie?  He is shot by Dr. Sam Loomis and falls to the ground through a second-story window.  However, in less than a minute's time, Michael disappears.  Obviously he is not dead.  The movie ends, leaving a lot of us ticked off.  This is strange, because it's like the movie was unfinished.  They got in the middle of the story then cut us off.  What's up with that?  Apparently they knew what they were going to do with it after this.  Why be so abrupt?

    Like all Halloween movies, it's good except for the fact that it drags a bit when they're trying to build suspense.  It's a 90+ minute movie; could've been 60.  Halloween I and II should've been put together in one film.  Cut out the boring stuff and splice it together, it would've made one complete film about 2 hours long.

    This is a good film, well-written and well-acted.  A horror film with an actual story; an unusual practice in the genre.  On top of that, we're given characters that we actually care about and don't want to see get killed.  Loomis and Strode we want to see live and they do.  As much time is focused on their characters, they better.  Strangely, Donald Pleasance is given top-billing.  He IS an important character and a hero in this movie, but the film definitely follows and builds on the Laurie Strode character of Jamie Lee Curtis.  We see her more than him.  Now in "Halloween II," Donald Pleasance is unquestionably the star, as Curtis' character is out of action for most of the movie.  Watch "Halloween" I and II together, it's like one movie.

Halloween II (1981):  The Halloween movies are unusual for horror movies.  For one thing, there is a lot more realism.  There are no dream worlds or weird fantasy crap.  It's not like having a bad acid trip.  Everything that happens happens in the real world.  Michael Myers is a serial killer who just happens to be a bit stranger than most.  For one thing, he has superhuman strength and regenerative properties.  Bullets don't seem to kill him.  Neither does falling.  As the movies progress, we find that more and more things do not kill him.  We start wondering what exactly WILL kill the bast***.

    The only real bad thing about the Halloween movies is that they like to build up suspense for so long that it tends to get boring.  "JUST KILL SOMEONE ALREADY!" you'll find yourself saying.  Another surprise with these movies is that the actual killings are never shown as violent as what they elude to in the suspense-building scenes.

    The saga of "Halloween" is intelligent.  It's really nothing more than a crime story with an extremely bizarre killer.  That's it.  No gross monsters or anything like that.  It's just that Michael Myers is such a bad guy in looks and actions that he's referred to as a "movie monster."

    This movie picks up EXACTLY where Halloween I left off.  Not a year or a day later; RIGHT where it leaves off.  Laurie Strode is taken to the hospital immediately after her ordeal with the killer.  Apparently his fall in the last movie did not kill him (nor the bullets) as he is up and running around.  Laurie does not yet know that Michael Myers is her brother, and that his desire is to kill all his relatives.  Meanwhile, Dr. Sam Loomis and the cops are looking all over the city for the escaped mental patient.  Little do they know that he is at the hospital, picking off people one at a time.

    We barely see Jamie Lee Curtis' character in this movie.  Most of the time we do see her, she is so completely out of it that she doesn't have any real lines.  She just doesn't do anything but scream a little and run around.  Not exactly a real stretch of acting talent.  She's had much better roles in her other Halloween films and other films in general.

    The absolute main player of the whole picture is Donald Pleasance as Dr. Sam Loomis.  Now he's just darn good.  Definitely the hero, and a bit stressed because no one wants to believe him or cooperate with him.  He's the one who puts the pieces together of the case and all the action seems to follow him.  And ultimately, he is the one who "kills" Michael Myers.

    By the way, Michael's fate in this movie is that he is shot in the eyes and lit completely on fire.

Hellraiser (1987):  This is some overly violent, freak stuff.  Surprisingly, however, it's a very good story.  The overall concept intrigues, although there are some plot holes big enough to drive a truck through.  Especially with the box.  The box is so important to the story, but it's basically used as a prop.  At the end, our heroine Kristie is blasting demons back into Hell with the box, shifting the puzzle-like object in all kinds of ways and pointing it at the creatures.  How does she even know to shift it around and aim it?  But that's just a small matter.  This movie is really more of a visual than it is a deep thinker.  And that's good.  I wouldn't want an excuse to take such an intensely terrifying movie too seriously.  After all, it's escapism.

    Andrew Robinson is good in this movie.  You might know him best for his role as Scorpio, the villain in "Dirty Harry."  For most of the movie he plays good guy Larry Cotton.  Near the end, his brother Frank kills him, steals his skin, and assumes the disguise of Larry.  I really hated to see that happen.  I liked Larry and wish he could've lived.  You don't see Mr. Robinson in too many roles where he plays a completely likeable good guy.

    The rest of the cast is good, too.  My biggest gripe is that Clare Higgins, as Larry's unfaithful wife Julia, is too darned serious ALL the time.  Even before she meets the Frank monster she acts like she has a stick up her fanny.  For crying out loud, she could've loosened up every once in awhile.  But a lot of that might have been out of her hands.  Acting wise, she was very convincing.  Her character WILL get on your nerves, though.

    The character for which this movie is most famous is actually just a bit player in this film.  The lead Cenobite as he is known in this picture was NOT known as "Pinhead."  That was what he was referred to AFTER this first Hellraiser movie came out.  He is simply referred to as "Lead Cenobite" here.

    Larry Cotton and his b**** wife Julia (with an English accent) move into his old house.  It has not been lived in for almost ten years since Larry's first wife died.  Larry's delinquent brother Frank was allowed to stay in it which he did from time to time.  Larry never knew where Frank was or what he was up to; just some criminal mischief.

    An undetermined amount of time before this, Frank bought a mysterious box, an occult object, from an old Chinese man.  Taking it back to the house, he tampers with it which proves to be fatal.  Frank is killed in no uncertain terms.  Everything in the room is cleaned out by his killers, so no one would ever know what happened.  Meanwhile, his soul is being tortured in some kind of evil place (we assume Hell) by a group of evil demons called Cenobites.

    Flash back even further in time.  It's revealed to us that Julia, shortly before her wedding to Larry, had an affair with Frank.  So she actually loves him more than Larry, but doesn't know where he is either for all this time.

    While in the process of moving, Larry cuts his hand deeply on a nail.  Blood spills in the room of Frank's death.  The blood is absorbed into the floor where it resurrects Frank, somewhat.  His body is partially regenerated, but needs the blood and flesh of other people to become whole again.  Frank recruits his old flame Julia into bringing him more people.  Julia uses her trampy ways to lure men into the room.  She kills them with a hammer, and Frank does the rest.  More and more he becomes whole.  His last victim is his own brother Larry.  Frank steals Larry's skin and assumes his identity.

    To avoid too complicated a summary (watch the movie!) let me just say that Larry's daughter Kristie knows what's up.  However, she reluctantly makes a deal with the Cenobites to lead them to Hell fugitive Frank or her own soul would be taken in his place.  Pinhead and the other Cenobites kill Frank (again), but afterwards they STILL want to take Kristie.  The girl, freaked out of her wits, uses the magic box to zap those guys back to Hell.  All in all, everyone dies except Kristie and her boyfriend.

    After the house burns up and the box is thrown in with it, a weird derelict who has been pestering Kristie throughout the whole movie retrieves the box, catching himself on fire!  The hobo turns into a demonic dragon who flies away with the box.  At the movie's closing, we see the box being sold by the old Chinese man to another guy.  So it starts again!

    Obviously, this movie is Rated R.  Watch it only if you're not greatly squeamish with violence.  It was actually toned down a bit in most scenes, but it's grossest where it matters.  Be warned.  Definitely not one for the kiddies.

Immortal Sins (1992):  This is a smaller-budget, independent film, but much better than a lot of mainstream horror films made around the time or even today.  The filmmakers didn't try to exceed their bounds or tell a story that the budget couldn't allow.  This was tastefully well done, but better than anything else was the cast.  Cliff De Young, Maryam D'abo, Shari Shattuck...any one of these could have been the top-billed star because their characters were all equally important to the story.  But Shari Shattuck definitely has the most interesting character in witch Diana, who preys upon Michael De Alvarez to fuel her centuries-long vendetta against the family bloodline.  The villain she plays is so interesting, that I've given her her very own section in my Film Fatales:  Blair's Bad Girls department.  Check it out!  Also worth mention is Tony Isbert who plays Gustavo, a friend to the family.  He's a likable guy.  I'm glad nothing bad happens to him.  This movie was originally released in Spain as "Besos en la oscuridad".  In the United States it's also known as "Veil of Dreams" (video title) and "Vengeance with a Kiss" (TV title).  By any title, I urge you to see it if you're up for a deliciously sexy and scary thriller.

Tormented (1960):  This horror movie was released in 1960.  It is a lower-budget movie filmed in black-and-white.  The story is actually pretty good, but the production values are somewhat limited.  Special effects were crude back then, and whenever used were expensive.  "Tormented" isn't necessarily filled with any real complicated special effects...just camera tricks for "ghostly images".  I do like the fact that, whenever possible, they used a lot of outside filming of the beach with the lighthouse.  It opens things up quite a bit; makes this story look more like an adventure.  This movie would've been even better had it been filmed in color.

    The acting of the overall cast is good; nothing real bad, but nothing really outstanding.  It's not meant to be a serious thinker.  Richard Carlson, the lead, gives a pretty good performance as a haunted man whose perfect life is falling apart.  The lovely female ghost is played by Juli Reding and man has she got a figure!  At this point in her career her measurements were 40-23-35.  Holy moley!  She's also gives a pretty good performance as the obsessed one-time lover and ghost.  I also liked Susan Gordon who played the little girl Sandy Hubbard.  She was cute.  Joe Turkel as Nick the blackmailer was good because his character was such a jive-talking creep.

    Tom Stewart (Richard Carlson) is a successful jazz pianist staying on an island community off of New England, preparing to marry the woman he loves, Meg Hubbard.  Meg happens to be the socialite daughter of wealthy parents.  That's not why Tom's marrying her, but it makes the story colorful.  In other words, his life is going to be perfect.  That is, until, singer Vi Mason (Juli Reding) comes to the island in secret and meets with Tom in a rundown lighthouse.  At one time Tom and Vi were lovers.  Tom dumped Vi for Meg.  Vi is jealous.  She threatens Tom that if he doesn't choose her over Meg, she will make his life a living hell.  How?  Vi kept a letter that Tom wrote.  She also threatens to use legal action against him. 

    Quite by accident, Vi leans up against the lighthouse railing which breaks.  She's hanging off the railing, reaching for Tom who is about to save her, but pulls back his hand at the last moment.  Vi falls to her death on the rocks below and drifts out to sea.  That ISN'T the last we see of her, however.  Tom feels guilty, but he thinks it's the perfect secret.  No one knew she was coming out there or that she had arrived except Tom.  But strange things happen after Vi's death that drives Tom closer to insanity with each passing day.  At first he finds her body, brings it to shore, only for it to turn into seaweed.  Then he finds her watch with name on it.  He later throws the watch back into the ocean, only for it to reappear in his room once again.  Vi Mason's record plays itself when he's playing piano.  He takes the record off the player, sets it on a table, and only a few seconds later it's on the player...playing again!  Vi's ghost does everything possible to ruin Tom's wedding.  She steals Meg's ring, ruins Meg's wedding gown with seaweed, and much more.  Throughout the movie you'll see visions of Vi's hand moving around, dismembered head, transparent visions, all sorts of weird stuff.

    We feel sorry for Tom for a long time.  His fiance feels distant from him, his fiance's sister (who has a crush on him) can't hold his attention, his soon-to-be in-laws think he's nuts, and just about everybody in the community can tell he's acting screwy.  Vi was an evil person and she deserved to die, but Tom DID pretty much send her to her death when he didn't try to save her.  Then a young guy by the name of Nick shows up to the island.  He's the boat captain who brought Vi to this island.  At first he comes for the money she owed him.  Then Nick stays on the island long enough to learn that Tom Stewart is marrying a wealthy man's daughter.  He figures that Tom probably killed Vi, and blackmails Tom for $5,000.  Either he gets his money or he spills the beans to Meg and her family.  Tom, being pushed even more toward insanity by Vi's ghost, takes Nick to the lighthouse where he kills the blackmailer with a piece of pipe to the skull.  Unfortunately for Tom, his fiance's little sister Sandy (who HAD a crush on him) witnessed the whole thing from a hiding spot.  Sandy's upset and tries to keep everything secret from her family and Tom.  Eventually, Sandy follows Tom to the lighthouse where she confesses.  Tom confesses too, and although he doesn't want to is strongly incensed to kill the little girl for knowing his secret.  This was his friend throughout the movie, and he's going to kill her?  What a freak!  Fortunately for Sandy, Vi's ghost rushes toward Tom.  Tom falls off the lighthouse to the rocks below. 

    Later, the townspeople retrieve Tom's body along with Vi's.  Vi had been in the ocean a week and was brought out first.  Sandy (Tom's little friend) and her big sister Meg look over his dead body.  What's even more disturbing to them is the fact that Meg's wedding ring is on Vi's finger (How did that get there?) and as soon as Tom's body was laid down, Vi's arm somehow wrapped around his chest with a smile on her face.  She got him in the end!  Weird!

    For being made in 1960, one of America's "innocent" years, this movie can be incredibly disturbing sometimes.  Tom is basically a good guy.  He just gets continually punished.  Everything in his life falls apart.  Vi was a b-word when she was alive, and still is after she's dead!  What really bothered me is when the little girl lost her respect for Tom and later sees him dead.  I wish that didn't have to be, but it did make for one scary movie!  Interesting enough, singer Margie Rayburn who had a popular hit song of her own with "I'm Available" in 1957, sang the song "Tormented" which was supposed to be Vi Mason's record.  The song sounds good enough, but we never get to hear the whole thing in the movie.  I'm a Margie Rayburn fan so I thought that tidbit of information was neat to put in here.  All in all, this is an exciting ghost story that could be remade and done even better today with advanced special effects.


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